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Our momentum grid is inspired by light wave interference theory - notes that increase and decrease in both speed and dynamic, from pulsing to accelerating. The result is swells of sound that rise dramatically in dynamic until they stop dead.

Our shards grid is inspired by light particles, reminiscent of shards of light, or the light spun out at the creation of an accretion disk. We have recreated this by recording notes that grow, bend down by a semitone and die away, so they sound like they are shooting past you. The Doppler Effect is the change in frequency of a wave as the source and observer move toward or away from each other, for example, what you hear when an ambulance passes by, or the red shift in light observed by astronomers. Both detailed and epic, and designed to work perfectly alongside our existing orchestral ranges, Kepler Orchestra is for anyone exploring the cutting edge of modern orchestration, looking to create sophisticated scores for film, TV and games. We have also created 259 Snapshots - a wide selection of starting points with pre-programmed rhythms and sounds that work instantly, for that extra element of surprise and inspiration. With multiple microphone positions (Close, Ambient, Mid & Wide), a Full Mix option created by Fiona Cruickshank, the library is presented in our sophisticated Systems Grid, giving you ultimate controllability and endless inspiration. All 54 of our unique articulations and playing styles, many never before sampled, have been orchestrated by Ben Foskett, produced by Harry Wilson and expertly recorded by renowned engineer Fiona Cruickshank through the famous custom Neve console via legendary Montserrat preamps. A full orchestra made up of 40 strings, 13 woodwinds and 19 brass, recorded as separate ensembles in the crisp, vibrant acoustic of Studio One at the legendary Air Lyndhurst, where we recorded our popular Bernard Herrmann and Studio Orchestra libraries.